The Wall - Wikipedia. The Wall is the eleventh studio album by English rock band Pink Floyd. It was released as a double album on 3.
The Wall is a rock opera that explores abandonment and isolation, symbolised by a metaphorical wall. The songs create an approximate storyline of events in the life.
November 1. 97. 9, by Harvest Records in the United Kingdom and by Columbia Records in the United States. Despite an initially mixed critical reaction, The Wall peaked at number 3 on the UK Albums Chart, while it topped the US Billboard 2. In 1. 98. 2, it was adapted into a feature film of the same name. The Wall has since been recognized as one of the most famous concept albums of all time.[4]Bass guitarist and lyricist Roger Waters conceived the album as a rock opera during Pink Floyd's 1. In the Flesh Tour, when his frustration with the audience became so acute that he spat on them. Its story, which follows themes of abandonment and personal isolation, explores Pink, a character whom Waters modeled after himself and the band's original leader Syd Barrett. Pink's life begins with the loss of his father during the Second World War, and continues with abuse from his schoolteachers, an overprotective mother, and the breakdown of his marriage; all contribute to his eventual self- imposed isolation from society, represented by a metaphorical wall.
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The band, who were then struggling with personal and financial difficulties, supported the idea. Waters enlisted an outside collaborator, Canadian producer Bob Ezrin, due to his need for somebody who he felt was "musically and intellectually" similar to himself, as well as a helping hand for the cumbersome amount of material that was written. Recording lasted from December 1. November 1. 97. 9, with stops in France, England, New York, and Los Angeles. Waters' song "Another Brick in the Wall, Part 2" became the band's first and only chart- topper when released as the album's lead single. Two songs co- written by guitarist David Gilmour, "Run Like Hell" and "Comfortably Numb", were also issued as singles. The Wall remains the last studio album released with the 1.
Waters, Gilmour, keyboardist Rick Wright, and drummer Nick Mason. Wright was unceremoniously fired from the band by Waters during its production, but stayed as a salaried musician, performing with Pink Floyd on their subsequent live tour. The live performances, which were later released as a live album, featured elaborate theatrical effects. Some of the album's themes would be continued in the band's next album, The Final Cut (1. The Wall. By 1. 99. RIAA- certified units (1.
US.[5] In 2. 00. 3, Rolling Stone placed The Wall at number 8. The 5. 00 Greatest Albums of All Time".
Background[edit]Pink Floyd's In the Flesh Tour was their first playing in large stadiums, and in July 1. Montreal Olympic Stadium, a small group of noisy and excited fans near the stage irritated Waters to such an extent that he spat at one of them.[6] He was not the only band member who felt disaffected at the show, as guitarist David Gilmour refused to perform the band's usual encores ("Money" and "Us and Them"),[7] leaving the rest of the band, with backup guitarist Snowy White, to improvise a slow, sad twelve- bar blues, which Waters described as "some music to go home to".[8][9] Later that night, while returning from hospital to treat an injury sustained to his foot while play- fighting backstage with manager Steve O'Rourke, Waters spoke with music producer Bob Ezrin, and a friend of Ezrin's, a psychiatrist sharing their car, about the feelings of alienation he was experiencing on the tour. He articulated his desire to isolate himself by constructing a wall across the stage between the performers and the audience.[1. He later said, "I loathed playing in stadiums ..
I kept saying to people on that tour, 'I'm not really enjoying this .. While Gilmour and Wright were in France recording solo albums, and Nick Mason was busy producing Steve Hillage's Green, Waters began to write new material.[1. The spitting incident became the starting point for a new concept, which explored the protagonist's self- imposed isolation after years of traumatic interactions with authority figures and the loss of his father as a young child. To execute The Wall concept was to attempt to analyse the performer's psychological separation from the audience, using a physical structure as a metaphorical and theatrical device.[9]In July 1. Britannia Row Studios, where Waters presented two new ideas for concept albums. The first was a 9. Bricks in the Wall.[1.
The second, a project about a man's dreams across one night that dealt with marriage, sex, and the pros and cons of monogamy and family life versus promiscuity.[1. The first option was chosen by the group for the new Pink Floyd project and the second idea eventually became Waters's first solo effort, a concept album titled The Pros and Cons of Hitch Hiking.[1. By September, the band was experiencing financial difficulties.[1.
Financial planners Norton Warburg Group (NWG) had invested £1. The strategy failed as many of the businesses NWG invested in lost money, leaving the band facing tax rates potentially as high as 8. We made Dark Side and it looked as if we'd cracked it," recalled Waters. Then suddenly these bastards had stolen it all. It looked as if we might be faced with huge tax bills for the money that had been lost. Eighty- three per cent was a lot of money in those days and we didn't have it."[1.
Pink Floyd terminated their relationship with NWG, demanding the return of uninvested funds.[1. By force of necessity, I had to become closely involved in the business side," recalled Gilmour, "because no one around us has shown themselves sufficiently capable or honest to cope with it, and I saw with Norton Warburg that the shit was heading inexorably towards the fan.
They weren't the first crooks we stupidly allied ourselves with. Ever since then, there's not a penny that I haven't signed for. I sign every cheque and examine everything."[1. The band thus urgently needed to produce an album to make money.
And because the project's 2. Waters decided to bring in an outside producer and collaborator."[1.
He later said, "I needed a collaborator who was musically and intellectually in a similar place to where I was." [1. Producer Bob Ezrin had worked with Alice Cooper, Lou Reed, and Kiss, as well as producing Peter Gabriel's debut solo album.[2. At the suggestion of Waters's then- girlfriend Lady Carolyne Christie, who had worked as Ezrin's secretary, the band hired him to co- produce the album.[1.
From the start, Waters made it very clear who was in charge: "You can write anything you want. Just don't expect any credit".[2. Ezrin, Waters, and Gilmour read Waters's concept, keeping what they liked, and discarding what they thought was not good enough. Waters and Ezrin worked mostly on the story, improving the concept.[2. A 4. 0- page script was presented to the rest of the band, with positive results: "The next day at the studio, we had a table read, like you would with a play, but with the whole of the band, and their eyes all twinkled, because then they could see the album."[1. Ezrin broadened the storyline, distancing it from the autobiographical work Waters had written, and instead basing it on a composite, or gestalt character named Pink.[2. Engineer Nick Griffiths later said of the Canadian producer, "Ezrin was very good in The Wall, because he did manage to pull the whole thing together.
He's a very forceful guy. There was a lot of argument about how it should sound between Roger and Dave, and he bridged the gap between them."[2.
Waters wrote most of the album's material, with Gilmour co- writing "Comfortably Numb", "Run Like Hell", and "Young Lust",[2. Ezrin co- writing "The Trial".[2. Concept and storyline[edit]The Wall is a rock opera[2. The songs create an approximate storyline of events in the life of the protagonist, Pink, a character based on Syd Barrett[2. Roger Waters,[2. 8] whose father was killed during the Second World War. Pink is oppressed by his overprotective mother, and tormented at school by tyrannical, abusive teachers. All of these traumas become metaphorical "bricks in the wall".
The protagonist eventually becomes a rock star, his relationships marred by infidelity, drug use, and outbursts of violence. As his marriage crumbles, he finishes building his wall, completing his isolation from human contact.[2. Hidden behind his wall, Pink sinks into a deep depression. In order to get him to perform, a doctor medicates him.